Took the family out on a short holiday just for some quality time with the wife and kids. The destination was Pacific Palms beach near Forster NSW around 300 kms north, north east of Sydney. A beautiful town surrounded by water, Wallis lake and and the Tasman sea which meant a lot of places to see and of course a good reason to go on a holiday ,of course like any other family we were so excited to go on this trip but apart from building new memories with my wife and kids I was looking forward to take some scenic shots knowing that the place we were going to was surrounded by water. As a photographer I already had a shot in mind, but with scenic or landscape shots the biggest factor is being at the right place at the right time.
Day 1: ETA 30 mins, I was already busy scanning the nearby scenery as a drove past them for some photo opportunities. We got to the resort around 6pm unloaded all our stuff and prepared for dinner. Played with my kids tucked them in bed and sat down with my wife and watched TV. Initially planned to leave and drive around to scout for locations but was too tired and decided to sleep. Day 1 0 shots.
Day 2: Aimed to get up around 5:30 am for some dawn shots, great morning for twilight shots. The moment my alarm went off pushed the snooze button and when I did get up it was already 7:30 missed it! Took the family out and went to visit as many beaches as we can. There were at least 8 beaches to visit so we aimed to see at least 3. We spent most of the day at Forster, family picnic, family photos and we got to see dolphins! We got back to the villa around 5:30pm and by this time dark clouds loomed over us, weather forecast…thunderstorms. Nice! to me it meant lighting strikes, long exposure with rocks water and lightning, dream shot. 9pm after spending time with the kids drove off to the nearest beach, no lightning, no moon, will have to shoot in pitch black darkness and rain my only option was to drive back and hope for better weather the next day. Day 2 15 family shots, 0 scenic.
Day 3: We had friends come over to join us the night before, after breakfast it was pool time with the kids, good thing there was a hot tub next to the pool (swimming in winter time) and by the time we finished it was almost lunch time and we had planned to have a picnic at a nearby park in Booti Booti (20 mins from the resort), more family time! played catch and threw some frisbees with my kids, strolled on the beach and we got to see more dolphins. We spent the rest of the afternoon at Wallis lake and did some fishing, dusk arrived and the sky was filled with colours, orange, purple and blue. Finally a chance for my first scenic shot on the trip but I was holding a fishing rod with my hands tainted with bait. Day 3 0 shots.
Day 4: Our last day, this time I was determined not to leave empty handed. Got up at 5:30 went to Boomerang beach, which was about 5mins drive from the resort (by day 4 I knew my way around). Waited at the parking lot for dawn. Felt braver that morning since there were also some surfers getting their boards ready, got my gear, carried them and walked to the left edge of Boomerang beach and got started. Took a few long exposure shots that resulted in the image you see above. The morning of our last day, finally I get one! Just one , and it was worth the wait, I was happy with the exposure and composition and found it useless to take more shots as they would just have been the same, I sat there and admired the view some quiet time for me.
When I got home to process the images I took, I immediately started on the scenic shot from Boomerang beach, took me no longer than 20 mins to finish it and it was already up on Facebook in less than an hour, 4 days and one scenic shot. Then I moved on to editing the family shots I took on day 2, then I realised and remembered that the 1 scenic shot did not make the trip more special nor did it make the trip more worthwhile but I have already taken the most important photo of the trip on Day 2.
…capturing memories with my family that lasts a lifetime.
when was the last time you went on a holiday with the people that matters the most?
What is colour? Objects absorb and reflect different wavelength of light, and how each object absorbs and reflects the different wavelengths is how they form colour. A red rose, well in this case its petals absorb all wavelengths of light except red. Some objects will reflect more than one colour in such cases when an object reflects yellow and red then it becomes orange.
In photography the colours we choose or capture impacts the overall emotion, mood or roles in an image. Knowing how to use or capture the colours around us is an important technique one can use and creative photography. Using a a single tone or many, combinations of different colours or the right composition or placement of colours will most definitely improve the way you tell a story or ‘the story’ in your images.
Let’s start with some general colours:
Red – in photography this colour is the most powerful or dominating colour. It represents passion, love, danger and yes stop. Stop because this colour grabs immediate attention. Personally I treat this colour with great respect, if you’re not careful it can be a distraction.
Green – the colour of nature, colour of health and life. Green is very soothing and calming but can easily be dominated by other colours. That is why in a landscape photo you tend to easily overlook this colour and search for other much vibrant colours such as colourful flowers.
Yellow – colour of nature and autumn. Yellow is also a strong colour such as the colour of the sun and of course all drivers will know that yellow means ‘caution’, feel free to use it but with a bit of restraint.
Blue – is a colour that can portray both positive and negative emotions. Coldness, sadness and loneliness are well portrayed in blue but can also represent serenity, peace, sereneness and tranquility.
Another important part of using colours as a technique in creative photography is understanding how to combine colours. It is crucial to know which colours clash and work well together. Clashing colours can either provide drama or just create confusion while using the right harmony of colours enhances an overall theme and a sense of completeness. Have a look at a colour wheel, the primary colours sit equidistant to each other, and flows from the closest shade to the next. Contrasting or complimentary colours would then be the opposite colour where it sits on the colour wheel.
It is also important to know how different colours behave in a 2D environment. Warm colours such as red and yellow would seem to pop-out or advance while cooler colours like blue and green tend to recede.
The next technique you can apply is knowing and experimenting when to mute colours or when to make them bolder or harsh. It will all depend on the story you would want to portray.
Remember, use colours to enhance your subject, as part your composition and to tell a much better story. No! Selective colouring when finishing your images is not a technique, to be honest Im not really fond of seeing them.
“ Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.” – Matt Hardy
A group of people giving up a day, sharing the same passion, honing their craft, a day of camaraderie and fun.
Spent a day sharing what I know in photography last Saturday (August 12, 2012) with a group of great people. I can definitely say I’ve learned more from them that they did from me, from the conversations and the behind the scenes moment of the workshop.
The workshop was a fast track to artistic and creative photography, from the basics of proper shooting posture, operating their cameras to exposure and composition. Applying all these knowledge in being creative in artistic in their story telling. Knowing the basics gave them the freedom to experiment and of course creatively ‘break’ the rules.
To all the participants, our photographic journey continues, it’s just more fun now as we have all built good relationships sharing the same passion…taking fantastic images.
Watch out for the next one and of course the next series.
The workshop is open to anyone – from beginners to photo enthusiasts – anyone keen on sharing and learning the basics of photography and how one can fast track learning artistic and creative photography.
Review the basics
– Camera basics.
– Shooting posture.
– what you need and when you need it.
– the workflow, simplified for everyday photography.
Fast track to creative and artisitic photography
– The elements of the perfect exposure.
– Aperture, shutter speed, depth of field, ISO setting, white balance, exposure compensation.
– Composition, light, viewpoint, angles, lens perspective.
– Use of your flash & shooting techniques in low-light conditions.
– After reviewing the technical part, time to be creative.
– Artistic and creative composition, pushing the bounderies and telling a story.
– Concept, implementation and execution.
Working with your subject/ Application/ Model Shoot
– Working with your subject.
– Model posing. Lines, curves the best angle.
– Model Shoot, time to apply what was discussed. FUN!
– Artistic and creative portraits, the story the emotions.
– Organising your folders.
– Adobe photoshop simplified.
– Selective editing. Image enhancement.
No prior photography knowledge.
We recommend you have a digital DLSR although we cater for digital compact users.
Memory Card(s) – we recommend at least a 2GB card.
Charged camera battery and a spare.
If available, a laptop with Adobe Photoshop installed or Adobe Elements.
visit http://www.ninoestrada.com for a sample of what you can achieve through this workshop.
contact Roy, email@example.com to book your slot, slots are limited.
Another critical element of a good photograph is composition, understanding this key element will allow you to tell more of a story, add depth, show complexity, convey drama and create an emotional response.
The right spot.
Putting you subject at the centre of a photo may be adequate in taking photos but it does not always tell a good story. Perhaps you’ve heard of the Rule of Thirds, it is a creative guideline for taking photographs that will allow you to give your image a more dynamic flow.
Placing your subject one third of the way in any direction will allow you to fill the rest of the image and tell a better story. You can use this in a variety of ways such as: conveying movement, creating drama and anticipation around your subject, connecting with the subject’s eyes or when placing your main subject among other elements.
The Focal Point
A good image will always have a good focal point where the eye normally rests. The subject’s eyes, a subtle sparkle reflecting on a window, a bright spot or a rock, always remember that everything should lead to the main element of the photograph. Busy can be good only if it complements the main element, but be careful in all the confusion make sure the viewer is not left to be just that, confused.
What’s in the background
Yes, the background is also a critical element of the final image. The background should complement your subject and should be able to provide a cohesive theme to support the story. The background should not clutter the image, distract from your main subject or distort the overall impact of the main element in the story. Always note how your background blends with your subject, be wary of accidentally making your subject grow horns by placing your subject in front of a pole or a tree branch. Experiment on depth of field to create drama or uniformity.
A foreground can also add cohesiveness to the main story or be taken for granted to be a distraction. I usually choose to use the foreground to make the image complete, but I also make sure that the foreground does not interfere with the main subject such as covering important elements of my main subject. Using the original part of the scenery, like leaves or grass is also more appealing and conveys a better story than cropping the legs or taking half body shots.
Draw the viewer’s eye
Add depth to your image and draw the viewer’s eye to your main subject. You can do this by using leading lines, colour contrasts, lighting, and framing or by adding some mystery to the image by positioning the subject to the right. Generally people look at an image left to right as this is how we normally read.
Create a full picture, use the entire image to tell a story…
“I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.” – Ken Burns
P–eer group, join a group having a similar interest bonded by the same passion for photography. Join a group who shares the same interest in photography as you, even having a photography buddy will help. Not only can you learn from each other but you can also encourage and push each other to learn and improve. Safety in numbers also works when shooting in an unfamiliar environment.
Joining a group can also help you build a network, photography groups or clubs are usually informal and very diverse no matter your background. One huge benefit of joining a group would be access to free information and knowledge sharing. Look for a photography group or club close to you or go online and join different photography forums.
Sign-up for a photography forum, read through the other topics and you can choose to be active as well.
R–ead the manual, it would be surprising how much you can learn by just reading your camera’s user’s manual. I know it can be cumbersome but the manufacturer spent huge amount of dollars just to write the content, type set and print that booklet that comes with a brand new camera. Want to find out the different exposure settings available to you? Read the manual. What settings to use on action shots, portraits or landscape? Read the manual. Want to know how to make the background blurry and have a nice bokeh? Read the manual. Some people would like to say this as RTFP or read the fine print.
For any additional gadget, gear or equipment you buy…Read the manual
A–sk, when you don’t understand something, all you need to do is ask. Find a photography mentor or approach any photographer you admire and ask away. Yes, you might get a rejection from an ego maniac who will make you attend 5 of his workshops to get an answer to a simple question but almost all good and established photographers out there would be more than willing to answer your question, trust me I have done so in the past and not only did I get useful tips but most of them have now become more than mentors, they are now my buddies. Also feel free to drop me a question, either send me an email or post your questions here .
C–ontrol. Be in control of your camera, your camera is your tool and you are the photographer. If your camera has a manual mode, shoot in manual mode. While your camera features can be handy, the fastest way to learn is to manually control your exposure settings. Control you shutter speed, aperture (f-stop), ISO and even the white balance, experiment and be creative with it. Try not to always shoot in bursts and hope to get lucky, take your time, anticipate and compose your shot.
T–echnique, learn the basic techniques and try new ones. Learn the proper posture when taking photos: legs apart, shoulders square, left elbow tucked in to support the lens (right elbow if you’re right handed) and establish a good base. Learn and try different techniques such as: lighting, posing, long exposures, night photography, bracketing, panning, time lapses, monochrome, duotones, tri-tones, high key, low-key, low light, infrared, using filters, composition, framing, action shots, 360°, double exposures, image stacking, image stitching, panoramas and the list just goes on.
I–nternet, having trouble understanding the techniques stated above? Search the internet. The internet is making learning, both fun and easy. Just do a search on monochromatic images and not only will you get good written content but a video tutorial too. With digital cameras, gone are the days of keeping a notebook inside your camera bag (although I still have mine, I started when I was 14) to write down different settings you’ve done in the past, you can now just do a search and see images on the internet posted with camera settings to help you achieve the same result. Want to learn basic Photoshop? Search the internet. The only thing you need is the willingness to learn and the desire to develop new skills.
C–ommit, commit to learn, shoot and try new things. Commit to continue learning, photography is easy to learn and hard to master (yes, like playing drums). Rest assured even the most experienced photographers are still cramming on books and searching the web for new things, to enhance their craft and set themselves apart. The barrier of entry into photography is easy, what will set you apart from the others is to be exceptional at it, so never stop learning.
E–xperiment, never be afraid to try new things, learn new styles and develop your own. Key to improving your photography is executing a concept (more on this on my next post). With digital cameras you no longer have to count how many shots you have left in a film roll, or learn how to manually reload a spool and cut negatives, so take your camera with you all the time, look around, slow things down, compose, apply what you have learned and shoot. Find good reasons to bring your camera and keep shooting.
Want to learn or improve your photography? Remember, P.R.A.C.T.I.C.E.
The photo above was taken with an entry level dslr with a mounted kit lens…
As most of you might have heard in one form or another it’s not the tool it’s how you use it.
The purpose of this post is to encourage most people to express creativity in taking photos regardless of what camera they are using.
Thanks to modern technology It is safe to assume that most people nowadays have an access to a camera in any shape or form. From mobile phones, compact point and shoot, and professional cameras. The camera is your tool when taking photos, like a carpenter who uses a hammer, as long as that hammer is purpose built to drive nail into wood so is any camera purpose built to take photos.
Dont be discouraged if you don’t have the latest gigapixel camera with a ‘Hubble’ like digital zoom functions or the newest pro consumer camera with cool ‘Red Rings’ or named with a ‘VR’. Focus on telling a story with your photos, experiment with angles and vantage points, take time to look around and of course have fun, it’s all about making that one single moment last a lifetime regardless of camera brand or make.
Now, there’s absolutely nothing wrong with having the latest gears and professional equipment they are just better tools, as long as you can afford it and would take time to train yourself to fully use an expensive gear and maximize its features. Learn, learning is the best way to develop the need for better equipment, with more knowledge and experience it establishes the need to find better tools. Read, always read the manual that comes with the gear. Plan, plan to purchase these types of gears based on need and upgrade to improve your photography and not purchase them on impulse and thinking that they will make you a better photographer, you are the photographer and the camera is your tool…
Remember if you need professioal quality photos now, you could always hire a pro or learn from a pro.
Another reason to go on a holiday.
Here’s one more reason to book a holiday soon…to practice your photography. Spending time with the people that matter most is all about building memories. Taking pictures may be an afterthought to some or to most, taken for granted with snapshots by simply documenting the event only to be reminisced long after the experience has past.
Make most out of the moment by telling a story within the story. Use all the elements available to you in an image to show more about the holiday experience. Don’t be afraid to use your camera flash when you have no choice but to shoot under harsh lighting conditions, when at a beach at high noon. Make sure there’s something to look at when you compose for that shot, use your foreground, the subject and the background to convey a story, experiment with your exposure settings to show movement, drama or action and most important of all take your time. Allow some time to look around, slow things down, look for angles and absorb the view or the experience. Don’t rush it!
A holiday picture can be more than just an image of your family standing in front of a landmark or a view. You can use it to practice telling your story within a story.
Parent warning: children may suffer from posing exhaustion while taking a good picture.
The story within a story
Under the soaring afternoon heat, doing some initial prep work for a group shoot in a small barn I noticed that a small crowd had gathered to checkout what was going on. It wasn’t often that a group of creative people with cameras, reflectors and make-up kits venture into a small farming bario without attracting some attention.
I stood by the barn door and saw a peeping eye right next to a small partition on the wall. Checked my camera settings, aimed my lens, composed the image, made sure I had the right focus and pushed the shutter button. Soon after I took the shot, the kid noticed me and shyly tried to walk away, I caught him just before he left and asked him if he wanted to see the photo I just took, he obliged, we sat down and he asked me what was going on. His curiosity instantly turned into a deeper need to learn and to ask more questions and as far as I remember I might have spent an hour just sharing the passion of taking photos, the discipline of slowing things down to look for moments such as this and the joy of dissecting every mental image.
He ended up staying with us for the rest of the shoot and afterwards said our goodbyes, packed up and left. I will never know if this kid ever tried to pick up a camera and fiddled with it, one thing I know, every time I see this image I will always remember that this curious eye turned into a moment for me to share the passion of taking snapshots such as this.
The story in a portrait starts with a well focus eye…